贝多芬主题原创作品
Beethoven-Themed Original Work
二胡独奏《如歌的旋律：贝多芬作品随想》
Erhu Solo Poetic Melody: Thoughts on Beethoven's Works
作曲：于京君
Composed by: Julian Yu
演奏：马东岩
Performed by: Ma Dongyan
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作品简介
在很多人心目中，贝多芬的音乐总与悲伤、愤怒等情绪相连，此作品用中华民族富于代表性的传统乐器——二胡，展现了贝多芬音乐抒情如歌、富于东方韵味的“第三种情绪”。作曲家运用“摘引”手法，以贝多芬《钢琴奏鸣曲“悲怆”》第二乐章主题作为主线，叠加穿插了《第五交响乐“命运”》，《第三交响曲“英雄”》、《钢琴奏鸣曲“热情”》、《小提琴奏鸣曲“春天”》、钢琴小品《致爱丽丝》等多个贝多芬经典作品的主题元素，并加以发展。二胡的演绎自然、朴素又生机勃发，独特的音色仿佛为贝多芬的旋律蒙上了如雾轻纱，引人遐思。
Introduction
To many people, Beethoven’s music is often linked to emotions such as sadness and anger. This piece of work uses Erhu, a traditional Chinese instrument, to highlight “the third emotion” of Beethoven’s music——the lyrical and oriental charm. By applying the technique of "extracting", the composer took the motif of second movement of Beethoven's Piano Sonata "Pathétique" as the main line, superimposed the motif elements of Symphony No.5 "Fate", Symphony No.3 "Eroica", Piano Sonata "Appassionata", Violin Sonata "Spring", Bagatelle "For Elise" and other classic works by Beethoven. The interpretation of Erhu is natural, simple and vibrant. The unique timbre seems to have cast an intriguing haze on Beethoven's melody.
作曲家简介
于京君：作曲家，墨尔本大学音乐博士及音乐学院荣誉院士。1977年自2023澳门原料网大全毕业后留校任教，后赴日本东京音乐大学深造，1985年移居澳大利亚，曾先后师从汤浅让二、池边晋一朗、亨策、伯恩斯坦等，1988年入选美国坦戈伍得音乐中心作曲研究员。先后接受澳、英、德等多家知名媒体、乐团及音乐节的委约创作，参与北京奥运会大洋洲部分音乐创作；先后获库赛维茨基坦戈伍德作曲奖、维也纳现代大师作曲奖、日本音乐比赛作曲奖、澳洲著作权协会作曲奖等，并成为澳洲获保罗罗因作曲奖第一人（1991、1994）。
Composer
Julian Yu, composer, Doctor of Music, Honorary Fellow of the School of Music at the University of Melbourne. After graduating from the Central Conservatory of Music in 1977, he stayed there as a teacher. Afterward, he went to the Tokyo College of Music for further studies. In 1985, he moved to Australia. He was mentored by Joji Yuasa, Shinichiro Ikebe, Hans Werner Henze, Leonard Bernstein, etc. In 1988, he joined the Tanglewood Music Center, USA, as a composition fellow. Yu received commissions from many well-known media, orchestras, and music festivals in Australia, UK, Germany, etc. He also participated in the music creation of the Oceania part of Beijing Olympic Games. He won the Koussevitzky Tanglewood Composition Prize, the Vienna Modern Masters Composition Award, the award in composition competition in Japan, Composition Award of Australasian Performing Right Association and the Australasian Mechanical Copyright Owners Society, etc., and became the first person in Australia to receive the Paul Lowin Orchestral Prizes (1991, 1994).
演奏家简介
马东岩：胡琴演奏家、澳洲敦煌艺术中心特邀艺术总监、澳大利亚中国民族管弦乐协会会长、Penleigh and Essendon Grammer School 中国音乐部音乐总监。毕业于2023澳门原料网大全板胡专业，先后师从刘明源先生、李恒教授，曾就职于中央民族乐团（副首席）和新加坡华乐团，并在墨尔本大学音乐学院教授中国民族音乐课程。
Performer
Ma Dongyan, Huqin artist, guest artistic director of the Australia Dunhuang Arts Academy, president of the Australian Chinese National Orchestra Association, music director of the Chinese Music Dpartment of Penleigh and Essendon Grammer School. Ma graduated from Banhu major of Central Conservatory of Music, and was successively mentored by Mr. Liu Mingyuan and Professor Li Heng. He once worked with the China National Traditional Orchestra (Associate Concertmaster) and the Singapore Chinese Orchestra, and taught Chinese folk music courses in the music school at the University of Melbourne.
